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Music of the Spheres: Difference between revisions
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| 3 || The Ruin || Venus || E || Martin O'Donnell, Michael Salvatori || 5:20 | | 3 || The Ruin || Venus || E || Martin O'Donnell, Michael Salvatori || 5:20 | ||
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| 4 || The Tribulation || Sun || F# || Martin O'Donnell, Michael Salvatori, Paul McCartney || 5:54 | | 4 || The Tribulation || Sun || <abbr title="F-sharp">F#</abbr> || Martin O'Donnell, Michael Salvatori, Paul McCartney || 5:54 | ||
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| 5 || The Rose || Mars || G || Martin O'Donnell, Michael Salvatori, Paul McCartney || 5:25 | | 5 || The Rose || Mars || G || Martin O'Donnell, Michael Salvatori, Paul McCartney || 5:25 | ||
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| 6 || The Ecstacy || Jupiter || A || Martin O'Donnell, Michael Salvatori || 6:39 | | 6 || The Ecstacy || Jupiter || A || Martin O'Donnell, Michael Salvatori || 6:39 | ||
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| 7 || The Prison || Saturn || Bb || Martin O'Donnell, Michael Salvatori, Paul McCartney || 6:28 | | 7 || The Prison || Saturn || <abbr title="B-flat">Bb</abbr> || Martin O'Donnell, Michael Salvatori, Paul McCartney || 6:28 | ||
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| 8 || The Hope || Traveler/Earth || C || Martin O'Donnell, Michael Salvatori, Paul McCartney || 7:47 | | 8 || The Hope || Traveler/Earth || C || Martin O'Donnell, Michael Salvatori, Paul McCartney || 7:47 | ||
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==Poetry== | ==Poetry== | ||
During a trip to England, O'Donnell met a poet named Malcolm Guite at a festival on the Isle of Wight, where they had their first conversation about pre-Copernican astrophysics and C.S. Lewis. Quickly realizing they shared a passion for these ideas, O'Donnell asked Guite to write a collection of poems for ''Music of the Spheres''. | During a trip to England, O'Donnell met a poet named Malcolm Guite at a festival on the Isle of Wight, where they had their first conversation about pre-Copernican astrophysics and C.S. Lewis. Quickly realizing they shared a passion for these ideas, O'Donnell asked Guite to write a collection of poems for ''Music of the Spheres''.<ref name="Kate">[http://www.wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0 Music Respawn interview with O'Donnell on the origins of Music of the Spheres]</ref> Guite wrote a collection of fourteen poems which he called '''''Seven Heavens, Seven Hells; A Sequence for the Spheres'''''<ref>[https://www.bungie.net/en-US/Destiny/Credits The credits for the first ''Destiny'' game]</ref> and gave them to Bungie to read over. O'Donnell loved the poems and Bungie purchased the rights to them. Guite had his name in the first ''Destiny'' game's credits for his poetry. | ||
As years passed and ''Music of the Spheres'' was seemingly not going to release, Guite considered putting ''Seven Heavens, Seven Hells'' into a number of his books, but an author whom Guite had admired, Michael Ward, said the poems didn't fit thematically into any of the collections he proposed. ''Seven Heavens, Seven Hells'' remained unpublished. | As years passed and ''Music of the Spheres'' was seemingly not going to release, Guite considered putting ''Seven Heavens, Seven Hells'' into a number of his books, but an author whom Guite had admired, Michael Ward, said the poems didn't fit thematically into any of the collections he proposed. ''Seven Heavens, Seven Hells'' remained unpublished. | ||
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Every two poems are 'opposing pairs'. According to Guite, "Each of the seven spheres has a certain cluster of associations and influences, Venus with love, Mars with war and martial valor, the Sun with gold, but also poetry and inspiration, etc. But equally, it is possible for each of these celestial influences to become corrupted and malign, for, as St. Augustine says, good is primal and evil is always a corruption of some original good. [sic]"<ref name="Malcolm">[https://malcolmguite.wordpress.com/2019/02/23/the-music-of-the-spheres-a-poetic-adventure-resumes/ Guite's blog post on the release of his poems]</ref> As such, the first poem of the opposing pair is diurnal, or the 'heavenly' sphere, and the second in the pair is the nocturnal, or the 'hellish' sphere. | Every two poems are 'opposing pairs'. According to Guite, "Each of the seven spheres has a certain cluster of associations and influences, Venus with love, Mars with war and martial valor, the Sun with gold, but also poetry and inspiration, etc. But equally, it is possible for each of these celestial influences to become corrupted and malign, for, as St. Augustine says, good is primal and evil is always a corruption of some original good. [sic]"<ref name="Malcolm">[https://malcolmguite.wordpress.com/2019/02/23/the-music-of-the-spheres-a-poetic-adventure-resumes/ Guite's blog post on the release of his poems]</ref> As such, the first poem of the opposing pair is diurnal, or the 'heavenly' sphere, and the second in the pair is the nocturnal, or the 'hellish' sphere. | ||
[[File:DS66ZTEU0AAGhUe.jpg|200xpx|thumb | [[File:DS66ZTEU0AAGhUe.jpg|200xpx|thumb|Poet Malcolm Guite in a Bungie Office]] | ||
To help Guite better understand the world of Destiny, O'Donnell gave Guite a list of phrases that summarized what ''Destiny'' was about. Guite was inspired by these phrases and wrote a fifteenth poem he called ''Earth's Enigmas''. Guite wrote it without Bungie asking for it, so it was never used in the game. ''Earth's Enigmas'' was released in a video on December 23, 2018. <ref>[https://malcolmguite.wordpress.com/2018/12/26/earths-enigmas-a-lost-poem/ Guite's blog post about ''Earth's Enigmas'']</ref> | To help Guite better understand the world of Destiny, O'Donnell gave Guite a list of phrases that summarized what ''Destiny'' was about. Guite was inspired by these phrases and wrote a fifteenth poem he called ''Earth's Enigmas''. Guite wrote it without Bungie asking for it, so it was never used in the game. ''Earth's Enigmas'' was released in a video on December 23, 2018. <ref>[https://malcolmguite.wordpress.com/2018/12/26/earths-enigmas-a-lost-poem/ Guite's blog post about ''Earth's Enigmas'']</ref> | ||
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*The musical keys of the pieces go in the order of the overtone or Lydian dominant scale (C, D, E, F#, G, A, Bb).<ref name="Kate">[http://www.wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0 Music Respawn interview with O'Donnell on the origins of Music of the Spheres]</ref> This is used in-game during the Vault of Glass raid: each of the seven Oracles plays one note of the above scale determined by its position. | *The musical keys of the pieces go in the order of the overtone or Lydian dominant scale (C, D, E, F#, G, A, Bb).<ref name="Kate">[http://www.wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0 Music Respawn interview with O'Donnell on the origins of Music of the Spheres]</ref> This is used in-game during the Vault of Glass raid: each of the seven Oracles plays one note of the above scale determined by its position. | ||
*In an interview with Music Respawn, O'Donnell stated that an alternate mix of ''Hope for the Future'' by Paul McCartney with a boys choir is part of ''Music of the Spheres''.<ref name="Kate">[http://www.wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0 Music Respawn interview with O'Donnell on the origins of Music of the Spheres]</ref> Curiously, this is not on the promotional CD or the official vinyl release of the album. However, this additional boys choir did appear in O'Donnell's own YouTube upload of ''Music of the Spheres'', which has since been taken down. | *In an interview with Music Respawn, O'Donnell stated that an alternate mix of ''Hope for the Future'' by Paul McCartney with a boys choir is part of ''Music of the Spheres''.<ref name="Kate">[http://www.wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0 Music Respawn interview with O'Donnell on the origins of Music of the Spheres]</ref> Curiously, this is not on the promotional CD or the official vinyl release of the album. However, this additional boys choir did appear in O'Donnell's own YouTube upload of ''Music of the Spheres'', which has since been taken down. | ||
*Track 6, ''The Ecstacy'', has been spelled as both "ecstasy" and "ecstacy" in official releases. In the ''Destiny Original Soundtrack,'' it is spelled as "The Ecstasy," whereas in ''The Music of Destiny, Volume 1'', it appears as "The Ecstacy," using an archaic spelling of the word. In O'Donnell's YouTube upload of ''Music of the Spheres'', one could see that the sheet music for the track also used the archaic spelling. | *Track 6, ''The Ecstacy'', has been spelled as both "ecstasy" and "ecstacy" in official releases. In the ''Destiny Original Soundtrack,'' it is spelled as "The Ecstasy," whereas in ''The Music of Destiny, Volume 1'', it appears as "The Ecstacy," using an archaic spelling of the word. In O'Donnell's YouTube upload of ''Music of the Spheres'', one could see that the sheet music for the track also used the archaic spelling. The ''Music of the Spheres'' promotional artwork and CD use the modern spelling. | ||
*The leaked version of ''Music of the Spheres'' included subtitles for each track so that listeners would know which track corresponds with each planet. This release erroneously lists ''The Hope's'' subtitle as "Arrival." ''The Hope'' represents The Traveler on Earth, and the intention of the subtitle "Arrival" is to represent "The Traveler arriving to Earth." "Arrival" is not an official title or subtitle for the track. Additionally, the planetary subtitles present in the leak are not part of the official, intended track titles. | *The leaked version of ''Music of the Spheres'' included subtitles for each track so that listeners would know which track corresponds with each planet. This release erroneously lists ''The Hope's'' subtitle as "Arrival." ''The Hope'' represents The Traveler on Earth, and the intention of the subtitle "Arrival" is to represent "The Traveler arriving to Earth." "Arrival" is not an official title or subtitle for the track. Additionally, the planetary subtitles present in the leak are not part of the official, intended track titles. | ||