144
edits
OS Epsilon (talk | contribs) No edit summary |
OS Epsilon (talk | contribs) No edit summary |
||
Line 12: | Line 12: | ||
|performance=Abbey Road Studios | |performance=Abbey Road Studios | ||
|length=48:24 | |length=48:24 | ||
}} | |||
{{quote|For untold ages [[The Traveler|the Traveler]] sent signals from deep in the galaxy to our solar system, signals interpreted and identified by the subconscious mind of humanity as music. Music that tells a story about worlds yet to be experienced, places that don't yet exist.|CD note}} | {{quote|For untold ages [[The Traveler|the Traveler]] sent signals from deep in the galaxy to our solar system, signals interpreted and identified by the subconscious mind of humanity as music. Music that tells a story about worlds yet to be experienced, places that don't yet exist.|CD note}} | ||
Line 19: | Line 21: | ||
== Track List == | == Track List == | ||
1. [https://www.youtube.com/watch?v=1Vt1nHkrYcw&index=&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Path | 1. [https://www.youtube.com/watch?v=1Vt1nHkrYcw&index=&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Path (Moon)] | ||
2. [https://www.youtube.com/watch?v=HpINzkanLfI&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=2 The Union | 2. [https://www.youtube.com/watch?v=HpINzkanLfI&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=2 The Union (Mercury)] | ||
3. [https://www.youtube.com/watch?v=-KTLoWEgxtM&index=3&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Ruin | 3. [https://www.youtube.com/watch?v=-KTLoWEgxtM&index=3&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Ruin (Venus)] | ||
4. [https://www.youtube.com/watch?v=wzhwWeQ8ih8&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=4 The Tribulation | 4. [https://www.youtube.com/watch?v=wzhwWeQ8ih8&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=4 The Tribulation (Sun)] | ||
5. [https://www.youtube.com/watch?v=Grz1-qU4DMk&index=5&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Rose | 5. [https://www.youtube.com/watch?v=Grz1-qU4DMk&index=5&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Rose (Mars)] | ||
6. [https://www.youtube.com/watch?v=he7xDUA_FhU&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=6 The Ecstacy | 6. [https://www.youtube.com/watch?v=he7xDUA_FhU&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc&index=6 The Ecstacy (Jupiter)] | ||
7. [https://www.youtube.com/watch?v=MQc4EMWRhfA&index=7&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Prison | 7. [https://www.youtube.com/watch?v=MQc4EMWRhfA&index=7&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Prison (Saturn)] | ||
8. [https://www.youtube.com/watch?v=I9hUH9utsaQ&index=8&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Hope | 8. [https://www.youtube.com/watch?v=I9hUH9utsaQ&index=8&list=PLDOdDCOrPnmk4cZpScZ-ZJ8Xt5WgdkuAc The Hope (Traveler/Earth)] | ||
== Production == | == Production == | ||
In late 2009, Bungie management came to composer Martin O'Donnell, asking him to write music for the game that would be called ''Destiny''. He came up with a concept he described as "centuries old", which was "music for the sake of music". | In late 2009, Bungie management came to composer Martin O'Donnell, asking him to write music for the game that would be called ''Destiny''. He came up with a concept he described as "centuries old", which was "music for the sake of music". O'Donnell wrote music that "told its own story", and would be released before the full game to introduce people to the music of Destiny. O'Donnell worked on it with his colleague and musical-partner Michael Salvatori, and later recruited famed musician Paul McCartney to the project. <ref>https://www.youtube.com/watch?v=K1Im5m67Ajs</ref> | ||
O'Donnell took inspiration from the ancient concept "[https://en.wikipedia.org/wiki/Musica_universalis Musica Universalis]"<ref>https://www.eurogamer.net/articles/2016-04-12-the-day-the-music-died-when-bungie-fired-marty-odonnell</ref>, or the idea that the seven spheres humanity knew about at the time moved in relation to music. O'Donnell also used [https://en.wikipedia.org/wiki/Geomantic_figures nocturnal geomantic figures] as the namesake for the individual tracks. O'Donnell's last inspiration for the work was the Lydian B7 musical scale, which gave every piece a specific key it was written in.<ref>http://wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0</ref> | O'Donnell took inspiration from the ancient concept "[https://en.wikipedia.org/wiki/Musica_universalis Musica Universalis]"<ref>https://www.eurogamer.net/articles/2016-04-12-the-day-the-music-died-when-bungie-fired-marty-odonnell</ref>, or the idea that the seven spheres humanity knew about at the time moved in relation to music. O'Donnell also used [https://en.wikipedia.org/wiki/Geomantic_figures nocturnal geomantic figures] as the namesake for the individual tracks. O'Donnell's last inspiration for the work was the Lydian B7 musical scale, which gave every piece a specific key it was written in.<ref>http://wshu.org/post/marty-odonnell-origin-story-music-spheres#stream/0</ref> |
edits